Metro Collective

“I decided to hold on to a naive and childish perspective. A photographic history filled with fences, flowers and other symbols, to point out the essence of the phenomenon.”

Bevis Fusha has a photo-essay and short interview in the World Press Photo magazine Enter highlighting his work documenting blood feuds for the organisation Children Today in his native Albania.

To see more of this work check out the MetroCollective feature Tyl.